Dagmar Höss

 

Text, der weibliche Körper und Kleidung sind wiederkehrende Elemente in meinen fotografischen Werkserien und Installationen. In der 2019 in New York begonnen Serie „It’s complicated“ etwa sind Textfragmente der Ausgangspunkt für mehr als vierzig bestickte Objekte und die daraus entstandenen Fotografien fragmentierter Fremdkörper. Auch in der 2022 entwickelten Werkserie „body matrix“ breche ich mit Kreuzstichstickerei die fotografischen Bildflächen auf und spiele zudem mit stereotypen Zuschreibu…

Johanna Bath

 

„My work can be seen as a collage fueled by memory, by colors and shapes of imagination and elements of inspiration that trigger this deeply felt urge to be painted. The idea of „time“ and everything that is linked to that emotionally such as memory, transience and the brevity of a moment is something that interest me as a subject. Time is abstract and therefore tricky to paint but when connected to our experience and memory, it is filled with sentiment and emotion. When painting I reflect on t…

Christina Gschwantner

 

Christina Gschwantner's pictures are reminiscent of what Pablo Picasso once said: “As a child, everyone is an artist. The difficulty lies in staying one as an adult”. Christina Gschwantner has retained this lightness in her work and paired it with skill to bring it to perfection. Many magical creatures, fantasy figures, animals and plants cavort in your pictures. The canvases were often painted over many times and thus show living traces that are perceived more unconsciously and yet create grea…

Marina Koldobskaya

 

Marina Koldobskaya graduated from the prestigious V.I. Mukhina Higher School of Art in St. Petersburg (now Baron von Stieglitz Academy of Design), but did not want to pursue a career as an official artist and went underground. In 1987, during perestroika, she began exhibiting at nonconformist exhibitions and participated in the creation of the Pushkinskaya Art Center 10. In 1990-91 she was a member of the first women's art group in post-Soviet Russia, I Love You, Life! Since the mid-1990s, when…

Aliya Abs

 

Aliya lives and works in Munich, Germany. In 2011 she graduated from the Art Academy in Lviv, Ukraine, with a master's degree.

She slowly discovered abstract and linear art for herself, after she became a mother and this preference for abstraction in her art is increasing ever since. This evolution in her work is rooted in Aliyas belief that even life is easier to understand in an abstract manor. Meaning that one's thinking process should consist of successfully omitting any irrelevant details…

Sarah Maia

 

Artist Statement “I am a Portuguese artist, born in Lisbon and currently living between Ilha das Flores (Azores) and Lisbon. My work talks about the Human Being, its relationships, hierarchies, powers, the rational and the irrational, as well as the inconstancy and beauty of Life. I tell stories, often delusional, and create images where symbolism is always present. Stories that convey and translate ideas and feelings. My imagination feeds on everyday records, my childhood, memories, past, pres…

Lotte Trolle

 

Lotte has worked in fashion most of her life. She has sewn costumes for many theater performances and worked as a manager at Nordisk Films kostumedepartment for 12 years (for cinema and TV). Lotte has also worked as a freelance stylist for several companies and fashion houses. Later in life Lotte became a business and education counselor.  In recent years Lotte has found her biggest passion in painting. She is fascinated by shapes and the interaction between colors and structures and is constan…

Gabrielle Grässle

 

  “I paint all what surrounds me, what I see. My work is intuitive and inspired by all what takes my interest. All becomes form, enters into my drawings and paintings: animals, nature, fashion, films, books, news, also feelings, music, images from childhood up to now, without restrictions. I start my work intuitively with or without an idea. It takes then on a life of its own, goes somewhere else entirely. Often, I develop the ideas from my drawings and transform them into my paintings. My pain…

Lisa Althaus

 

For me, art is a way of thinking and engaging with the world. My artistic work serves as an instrument of research and comprehension, of personal expression and communication. The different pictorial languages and styles are indispensable information in this process, which are not congruent with language. Visual activity is never representation, but always production, even if it uses narrative means. I am interested in the wealth of visual possibilities in all their forms and their interaction …

Pages